African-American Media Rhetoric

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Revision as of 15:22, 16 April 2015 by Solomon.283@osu.edu (Talk | contribs)
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Contents

Introduction

The representation of racial minorities, especially African-Americans, has held a negative or positive bias since the creation of modern media. Whether obvious or subtle, racism has sometimes interjected its way into the production of images and other portrayals of African-American individuals. Societal hierarchical norms have contributed to the use of powerful entertainment tools to configure the message they would like their audience to feel. This concept can be dissected through the view of rhetorical canons, utilizing images, text and news broadcasts to understand the motives behind race representations in media.

Artifact Analysis

The cultural artifact I am analyzing is an article from The Detroit Free Press, a newspaper founded in 1831. On the front page from May 4th, 1963, bold letters spell out the reality of the Civil Rights Movement- "DOGS, FIRE HOSES QUELL HUGE NEW RACE MARCH". In the accompanying image, African-American youth are seen hosting a sit-in in Birmingham, Alabama.

Additional Resources

References


1) Scholar, Shannon T. Isaacs Mcnair, The Pennsylvania State University, Mcnair Faculty Research Advisor:, and Ph.d. Julie Horney. Portrayal of African Americans in the Media: An Examination of Law and Order (n.d.): n. pag. Web.

2) "Segregation in America & Slavery......not Any More." Pinterest. N.p., n.d. Web. 16 Apr. 2015.

3) "Rhetorical Analysis: Compare and Contrast Four Speeches on Civil Rights | The Black Past: Remembered and Reclaimed." Rhetorical Analysis: Compare and Contrast Four Speeches on Civil Rights | The Black Past: Remembered and Reclaimed. N.p., n.d. Web. 16 Apr. 2015.

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